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・ San Pedro de Larcay District
・ San Pedro de Latarce
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San Paolo a Ripa d'Arno
・ San Paolo Albanese
・ San Paolo all'Orto
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・ San Paolo alle Tre Fontane
・ San Paolo Bel Sito
・ San Paolo Cervo
・ San Paolo Converso
・ San Paolo d'Argon
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・ San Paolo di Jesi
・ San Paolo inter vineas, Spoleto
・ San Paolo Island
・ San Paolo Maggiore
・ San Paolo Maggiore, Bologna


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San Paolo a Ripa d'Arno : ウィキペディア英語版
San Paolo a Ripa d'Arno

San Paolo a Ripa d'Arno (St. Paul on the bank of the Arno) is a Roman Catholic church in Pisa, region of Tuscany, Italy. It is a pre-eminent example of Tuscan Romanesque church architecture. The church is also locally known as ''Duomo vecchio'' (old cathedral).
==The church==

Reports of the founding of the church trace to around 925, but by 1032, a church structure existed. It was initially affiliated with a Benedictine monastery. By 1092, the church was annexed to a monastery of the Vallumbrosan monks and,〔(Guida per il passeggiere di pittura, scultura, ed architettura Nella Citta di Pisa ), by Pandolfo Titi, Lucca (1751), page 213.〕 later to a hospital 1147.
The building, whose design is attributed to the architect Bruschetto, was modified in the 11th-12th centuries in a style similar to that of the local Duomo, 〔Pandolfo Titi,(1751), page 212.〕 being reconsecrated by Pope Eugene III in 1148.
In 1409 the building complex was transferred to the administration of the cardinal Landolfo di Marramauro, then since 1552 was given to the Grifoni family of San Miniato. After 1565, it was transferred to the Holy Order of St. Stephen. After its suppression, in 1798 the church became a Parish.
In 1853 the building underwent some significant reconstruction, directed by Pietro Bellini, which aimed to restore its romanesque origins. During the Second World War, this church, like many in Pisa, suffered damage. Restoration efforts were pursued in 1949-1952. In the course of this work, the buildings in the back were demolished, restoring the small Sant'Agata chapel to its original free-standing state.
The exterior has bichrome marble bands which re-use Roman stones. The façade, designed in the 12th century, but completed in 14th maybe by Giovanni Pisano, has two corps with pilaster strips, blind arches, marble intarsias and three orders of loggias in the upper section.
The interior is on the Latin cross plan with a nave and two aisles divided by columns in granite from Elba, an apse and a dome on the crossing with the transept. It houses a 13th-century ''Crucifix'' on panel, frescoes by Buonamico Buffalmacco and a ''Madonna with Saints'' by Turino Vanni (14th century), but most of all a 2nd-century Roman sarcophagus used as medieval tomb. The relief on this sarcophagus was used as a model by both Nicola Pisano and his pupil Arnolfo di Cambio

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